Pottery is made by forming a clay body into objects of a required shape and heating them to high temperatures in a kiln to induce reactions that lead to permanent changes, including increasing their strength and hardening and setting their shape. There are wide regional variations in the properties of clays used by potters and this often helps to produce wares that are unique in character to a locality. It is common for clays and other minerals to be mixed to produce clay bodies suited to specific purposes.

Prior to some shaping processes, air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished by a machine called a vacuum pug or manually by wedging. Wedging can also help to ensure an even moisture content throughout the body. Once a clay body has been de-aired or wedged, it is shaped by a variety of techniques. After shaping it is dried before firing. There are a number of stages in the drying process. Leather-hard refers to the stage when the clay object is approximately 75-85% dry. Clay bodies at this stage are very firm and only slightly pliable. Trimming and handle attachment often occurs at the leather-hard state. Clay bodies are said to be "bone-dry" when they reach a moisture content at or near 0%. Unfired objects are often termed greenware. Clay bodies at this stage are very fragile and hence can be easily broken.

The potter's most basic tools are the hand, but many additional tools have been developed over the long history of pottery manufacture, including the potter's wheel and turntable, shaping tools (paddles, anvils, ribs), rolling tools (roulettes, slab rollers, rolling pins), cutting/piercing tools (knives, fluting tools, wires) and finishing tools (burnishing stones, rasps, chamois).

Glaze is a glassy coating applied to pottery, the primary purposes of which include decoration and protection. Glazes are highly variable in composition but usually comprise a mixture of ingredients that generally, but not always, mature at kiln temperatures lower than that of the pottery that it coats. One important use of glaze is in rendering pottery vessels impermeable to water and other liquids. Glaze may be applied by dusting it over the clay, spraying, dipping, trailing or brushing on a thin slurry composed of glaze minerals and water. Brushing tends not to give an even covering but can be effective as a decorative technique. The color of a glaze before it has been fired may be significantly different than afterwards. To prevent glazed wares sticking to kiln furniture during firing, either a small part of the object being fired (for example, the foot) is left unglazed or, alternatively, special refractory spurs are used as supports. These are removed and discarded after the firing. Special methods of glazing are sometimes carried out in the kiln. One example is salt-glazing, where common salt is introduced to the kiln to produce a glaze of mottled, orange peel texture. Materials other than salt are also used to glaze wares in the kiln, including sulfur. In wood-fired kilns fly-ash from the fuel can produce ash-glazing on the surface of wares.